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50+ Music<p>"Half-Breed" is a popular song recorded by Cher in 1973. Cher's version, recorded with instrumental backing by L.A. sessions musicians from the <a href="https://mastodon.online/tags/WreckingCrew" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>WreckingCrew</span></a>, was recorded on May 21, 1973 at <a href="https://mastodon.online/tags/LarrabeeSound" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>LarrabeeSound</span></a> in Los Angeles. Lyrically, the song describes the life of a girl who faces societal rejection due to having a <a href="https://mastodon.online/tags/White" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>White</span></a> father and <a href="https://mastodon.online/tags/Cherokee" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Cherokee</span></a> mother. It contains themes of <a href="https://mastodon.online/tags/racism" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>racism</span></a> and <a href="https://mastodon.online/tags/doubleStandards" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>doubleStandards</span></a>. The song reached Number 1 on the <a href="https://mastodon.online/tags/Billboard" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Billboard</span></a> <a href="https://mastodon.online/tags/Hot100" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Hot100</span></a>. <br><a href="https://www.youtube.com/watch?v=zt9XDdzzp2k" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="">youtube.com/watch?v=zt9XDdzzp2k</span><span class="invisible"></span></a></p>
50+ Music<p>"Dizzy" is a song originally <a href="https://mastodon.online/tags/recorded" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>recorded</span></a> by <a href="https://mastodon.online/tags/TommyRoe" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>TommyRoe</span></a> that became an international <a href="https://mastodon.online/tags/hitSingle" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>hitSingle</span></a> in 1969. Instrumental backing was provided by the <a href="https://mastodon.online/tags/LosAngeles" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>LosAngeles</span></a> session musicians known as the <a href="https://mastodon.online/tags/WreckingCrew" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>WreckingCrew</span></a>. Cowritten by Roe and <a href="https://mastodon.online/tags/FreddyWeller" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>FreddyWeller</span></a>, "Dizzy" was a major hit on both sides of the <a href="https://mastodon.online/tags/Atlantic" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Atlantic</span></a>, reaching number one on the U.S. Billboard Hot 100 for four weeks in March 1969, number one for one week on the <a href="https://mastodon.online/tags/UKSinglesChart" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>UKSinglesChart</span></a> in June 1969 and number one in Canada in March 1969. <br><a href="https://www.youtube.com/watch?v=sbdtQ99yIUo" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="">youtube.com/watch?v=sbdtQ99yIUo</span><span class="invisible"></span></a></p>
mayhem<p><span class="h-card" translate="no"><a href="https://social.tchncs.de/@ubo" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>ubo</span></a></span> Auch der designierte Chef der <a href="https://social.tchncs.de/tags/WreckingCrew" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>WreckingCrew</span></a> hat ja bereits verlauten lassen, dass er den <a href="https://social.tchncs.de/tags/Haftbefehl" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Haftbefehl</span></a> zu ignorieren gedenkt. 🤢</p><p><a href="https://social.tchncs.de/tags/NieMehrCxU" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>NieMehrCxU</span></a></p>
mayhem<p><span class="h-card" translate="no"><a href="https://chaos.social/@fragdenstaat" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>fragdenstaat</span></a></span> All die schönen Ideen, die die <a href="https://social.tchncs.de/tags/NieMehrCxU" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>NieMehrCxU</span></a> -Heinis von ihren Besuchen bei Wahlkampfveranstaltungen der <a href="https://social.tchncs.de/tags/Republikaner" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Republikaner</span></a> aufgeschnappt haben. Politik aus der Vorhölle. 🤢 </p><p><a href="https://social.tchncs.de/tags/WreckingCrew" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>WreckingCrew</span></a></p>
mayhem<p><span class="h-card" translate="no"><a href="https://mastodon.social/@tazgetroete" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>tazgetroete</span></a></span> Ich bleibe bei <a href="https://social.tchncs.de/tags/WreckingCrew" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>WreckingCrew</span></a></p>
mayhem<p>Statt <a href="https://social.tchncs.de/tags/Groko" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Groko</span></a> jetzt <a href="https://social.tchncs.de/tags/WreckingCrew" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>WreckingCrew</span></a>. Alles, was gut ist, kann dann weg: <a href="https://social.tchncs.de/tags/Demokratie" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Demokratie</span></a> <a href="https://social.tchncs.de/tags/Datenschutz" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Datenschutz</span></a> <a href="https://social.tchncs.de/tags/B%C3%BCrgergeld" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Bürgergeld</span></a> <a href="https://social.tchncs.de/tags/Arbeitnehmerrechte" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Arbeitnehmerrechte</span></a> <a href="https://social.tchncs.de/tags/Umweltschutz" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Umweltschutz</span></a></p><p><a href="https://social.tchncs.de/tags/NieMehrCxU" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>NieMehrCxU</span></a></p>
50+ Music<p>"All I Know" is a song written by American songwriter <a href="https://mastodon.online/tags/JimmyWebb" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>JimmyWebb</span></a>, first recorded by <a href="https://mastodon.online/tags/ArtGarfunkel" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ArtGarfunkel</span></a> on his 1973 debut solo album, <a href="https://mastodon.online/tags/AngelClare" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>AngelClare</span></a>, released by <a href="https://mastodon.online/tags/ColumbiaRecords" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ColumbiaRecords</span></a>. Instrumental backing was provided by members of the <a href="https://mastodon.online/tags/WreckingCrew" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>WreckingCrew</span></a>, L.A. session musicians. Garfunkel's version is the best known and highest-charting version, peaking at number nine on the <a href="https://mastodon.online/tags/Billboard" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Billboard</span></a> <a href="https://mastodon.online/tags/Hot100" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Hot100</span></a> and number one on the <a href="https://mastodon.online/tags/EasyListening" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>EasyListening</span></a> chart for four weeks in October 1973. <br><a href="https://www.youtube.com/watch?v=3BHfgNiSf-E" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="">youtube.com/watch?v=3BHfgNiSf-E</span><span class="invisible"></span></a></p>
Maypop the Dragon<p>wrecking crew first impression review: pretty fun light puzzle game. simple but deep gameplay. do recommend. also the end of phase 2 is funny. i think if this was at the arcade they would get a few of my quarters probably.</p><p><a href="https://wetdry.world/tags/gaming" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>gaming</span></a> <a href="https://wetdry.world/tags/nintendo" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>nintendo</span></a> <a href="https://wetdry.world/tags/retrogaming" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>retrogaming</span></a> <a href="https://wetdry.world/tags/supermario" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>supermario</span></a> <a href="https://wetdry.world/tags/wreckingcrew" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>wreckingcrew</span></a></p>
50+ Music<p>"Rainy Days and Mondays" is a song by the <a href="https://mastodon.online/tags/Carpenters" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Carpenters</span></a> from their self-titled third album, with instrumental backing by the <a href="https://mastodon.online/tags/WreckingCrew" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>WreckingCrew</span></a>. It was written by <a href="https://mastodon.online/tags/PaulWilliams" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>PaulWilliams</span></a> (lyrics) and <a href="https://mastodon.online/tags/RogerNichols" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>RogerNichols</span></a> (music), who had previously written "<a href="https://mastodon.online/tags/WeveOnlyJustBegun" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>WeveOnlyJustBegun</span></a>," another hit for the duo. The B-side on the <a href="https://mastodon.online/tags/single" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>single</span></a> is "Saturday," a song written and sung by <a href="https://mastodon.online/tags/RichardCarpenter" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>RichardCarpenter</span></a>. A demo for the song was initially sent to Richard Carpenter by Williams and Nichols. Upon hearing it. <br><a href="https://www.youtube.com/watch?v=PjFoQxjgbrs" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="">youtube.com/watch?v=PjFoQxjgbrs</span><span class="invisible"></span></a></p>
50+ Music<p>"(Last Night) I Didn't Get to Sleep at All" is a song written by <a href="https://mastodon.online/tags/TonyMacaulay" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>TonyMacaulay</span></a> and performed by <a href="https://mastodon.online/tags/The5thDimension" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>The5thDimension</span></a> with instrumental backing from L.A. session musicians from the <a href="https://mastodon.online/tags/WreckingCrew" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>WreckingCrew</span></a>. The song appeared on the band's album <a href="https://mastodon.online/tags/IndividuallyAndCollectively" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>IndividuallyAndCollectively</span></a>, produced by <a href="https://mastodon.online/tags/BonesHowe" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>BonesHowe</span></a> and arranged by <a href="https://mastodon.online/tags/BillHolman" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>BillHolman</span></a>. The song was a top 10 hit for the group in the U.S., and their sixth and final <a href="https://mastodon.online/tags/platinumRecord" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>platinumRecord</span></a>. <br><a href="https://www.youtube.com/watch?v=niwt47gHtmM" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">youtube.com/watch?v=niwt47gHtm</span><span class="invisible">M</span></a></p>
50+ Music<p>"Rainy Days and Mondays" is a song by the <a href="https://mastodon.online/tags/Carpenters" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Carpenters</span></a> from their self-titled third album, with instrumental backing by the <a href="https://mastodon.online/tags/WreckingCrew" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>WreckingCrew</span></a>. It was written by <a href="https://mastodon.online/tags/PaulWilliams" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>PaulWilliams</span></a> (lyrics) and <a href="https://mastodon.online/tags/RogerNichols" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>RogerNichols</span></a> (music), who had previously written "<a href="https://mastodon.online/tags/WeveOnlyJustBegun" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>WeveOnlyJustBegun</span></a>," another hit for the duo. The B-side on the <a href="https://mastodon.online/tags/single" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>single</span></a> is "Saturday," a song written and sung by <a href="https://mastodon.online/tags/RichardCarpenter" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>RichardCarpenter</span></a>. A demo for the song was initially sent to Richard Carpenter by Williams and Nichols. Upon hearing it. <br><a href="https://www.youtube.com/watch?v=dPmbT5XC-q0" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">youtube.com/watch?v=dPmbT5XC-q</span><span class="invisible">0</span></a></p>
50+ Music<p>"Arizona" is a song written by <a href="https://mastodon.online/tags/KennyYoung" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>KennyYoung</span></a> and recorded in 1969 by <a href="https://mastodon.online/tags/MarkLindsay" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>MarkLindsay</span></a>, a solo effort while still lead singer for <a href="https://mastodon.online/tags/PaulRevereAndTheRaiders" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>PaulRevereAndTheRaiders</span></a>. Lindsay was backed by L.A. session musicians from the <a href="https://mastodon.online/tags/WreckingCrew" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>WreckingCrew</span></a>. The single peaked at number 10 on the <a href="https://mastodon.online/tags/Billboard" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Billboard</span></a> <a href="https://mastodon.online/tags/Hot100" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Hot100</span></a> chart on 14 February 1970 and was awarded a RlAA Gold Disc in April 1970. A version by the British band <a href="https://mastodon.online/tags/TheFamilyDogg" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>TheFamilyDogg</span></a> was also released in 1969. <br><a href="https://www.youtube.com/watch?v=WuyXDtq1rN0" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">youtube.com/watch?v=WuyXDtq1rN</span><span class="invisible">0</span></a></p>
50+ Music<p>"Half-Breed" is a popular song recorded by Cher in 1973. Cher's version, recorded with instrumental backing by L.A. sessions musicians from the <a href="https://mastodon.online/tags/WreckingCrew" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>WreckingCrew</span></a>, was recorded on May 21, 1973 at <a href="https://mastodon.online/tags/LarrabeeSound" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>LarrabeeSound</span></a> in Los Angeles. Lyrically, the song describes the life of a girl who faces societal rejection due to having a <a href="https://mastodon.online/tags/White" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>White</span></a> father and <a href="https://mastodon.online/tags/Cherokee" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Cherokee</span></a> mother. It contains themes of <a href="https://mastodon.online/tags/racism" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>racism</span></a> and <a href="https://mastodon.online/tags/doubleStandards" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>doubleStandards</span></a>. The song reached number one on the <a href="https://mastodon.online/tags/Billboard" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Billboard</span></a> <a href="https://mastodon.online/tags/Hot100" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Hot100</span></a>. <br><a href="https://www.youtube.com/watch?v=XmPGiCRD2Is" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">youtube.com/watch?v=XmPGiCRD2I</span><span class="invisible">s</span></a></p>
50+ Music<p>"All I Know" is a song written by American songwriter <a href="https://mastodon.online/tags/JimmyWebb" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>JimmyWebb</span></a>, first recorded by <a href="https://mastodon.online/tags/ArtGarfunkel" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ArtGarfunkel</span></a> on his 1973 debut solo album, <a href="https://mastodon.online/tags/AngelClare" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>AngelClare</span></a>, released by <a href="https://mastodon.online/tags/ColumbiaRecords" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ColumbiaRecords</span></a>. Instrumental backing was provided by members of the <a href="https://mastodon.online/tags/WreckingCrew" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>WreckingCrew</span></a>, L.A. session musicians. Garfunkel's version is the best known and highest-charting version, peaking at number nine on the Billboard Hot 100 and number one on the <a href="https://mastodon.online/tags/EasyListening" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>EasyListening</span></a> chart for four weeks in October 1973. <br><a href="https://youtu.be/3BHfgNiSf-E" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="">youtu.be/3BHfgNiSf-E</span><span class="invisible"></span></a></p>
50+ Music<p>"Rainy Days and Mondays" is a song by the <a href="https://mastodon.online/tags/Carpenters" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Carpenters</span></a> from their self-titled third album, with instrumental backing by the <a href="https://mastodon.online/tags/WreckingCrew" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>WreckingCrew</span></a>. It was written by <a href="https://mastodon.online/tags/PaulWilliams" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>PaulWilliams</span></a> (lyrics) and <a href="https://mastodon.online/tags/RogerNichols" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>RogerNichols</span></a> (music), who had previously written "<a href="https://mastodon.online/tags/WeveOnlyJustBegun" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>WeveOnlyJustBegun</span></a>," another hit for the duo. The B-side on the single is "Saturday," a song written and sung by <a href="https://mastodon.online/tags/RichardCarpenter" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>RichardCarpenter</span></a>. A demo for the song was initially sent to Richard Carpenter by Williams and Nichols. Upon hearing it. <br><a href="https://youtu.be/H54N9eaonng" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="">youtu.be/H54N9eaonng</span><span class="invisible"></span></a></p>